Sunday, March 17, 2019
Eroticism and Mortality in Shakespeares Sonnet 73 Essay -- Sonnet ess
amativeness and Mortality in Shakespeares sonnet 73 William Shakespeares sonnet cycle is famous with its rich figurative style. The depth of each sonnet comes from its multilayered meanings and images, which are reinforced by its anatomical structure, sound, and rhythm. Sonnet 73 provides an excellent example. This sonnet shows the loudspeakers agony over homophile expiryrate and, moreover, his/her way of coping with it in an effective way. The speaker, especially in name of his cognizance of time, experiences dramatic changes in two ways (1) from time measurable by quantity to time as quality, (2) from cyclical time to a linear nonpareil. These changes, manifested by a set of images (autumn, twilight, glowing), enable him/her to embrace his/her death rate as an essential element of a human being. This double structure of the sonnet achieves its richness by its sub-level imagery based on eroticism, which has been one of the most common cures for the inevitability of one s own death throughout human history. A clear contrast exists between the starting line two quatrains and the ordinal quatrain in terms of the speakers understanding of time. In the first and second quatrain, the speaker perceives time as a quantitative entity. That time of ones life, in the first quatrain, is not called autumn but described as yellow leaves, or none, or few(1-2). This quantifiable image presents time as if it can be taken away one by one. It alludes that death would come as the drop of the last leaf of a tree. Furthermore, the process of getting sure-enough(a) and dying happens in a sadistic way. Time seems to tear collide with ones life which strives to cling to the boughs which shake against the cold,/ Bare ruined choirs(3). The cold wind, which stri... ...According to him, death means ones discontinuity, but through reproductive activities, one can moderate the continuity of his being. (Georges Bataille. Death and Sensuality A Study of Eroticism and the Taboo. Walkner and friendship new-sprung(prenominal) Yor, 1962. Originally printed with a different title, L,Erotisme, in 1957.) Works Cited and ConsultedBooth, Stephen, ed. Shakespeares Sonnets. New Haven Yale University Press, 1977.Duncan-Jones, Katherine, ed. Shakespeares Sonnets. London Arden Shakespeare.Georges Bataille. Death and Sensuality A Study of Eroticism and the Taboo. Walkner and Company New York, 1962. Longman Dictionary of Contemporary English 3rd ed. Longman Essex, England Longman sort out Ltd. 1995Shakespeare, William. Sonnet 73. The Complete Works of Shakespeare. Ed. David Bevington. 3rd. ed. Glenview, IL Scott Foresman, 1980.
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