The novels protagonist, Guy Montag, locks pride in his work with the fire department. A third-generation stand-in, Montag fits the stereotypical role, with his black hair, black brows...fiery face, and ...blue-steel shaved but bearded look. Montag takes great joy in his work and serves as a model of twenty-four century professionalism. Reeking of cinders and ash, he enjoys change in his uniform, playing the role of a symphony conductor as he directs the bass nozzle toward illegal books, and bouquet the kerosene that raises the temperature to the required 451 degrees Fahrenheit-the temperature at which book paper ignites. IN his eight years of employment, Montag even joined in the firemens barbaric sport of letting small animals loose and betting on which ones the Mechanical Hound would annihilate first. In the last 2 years, however, a growing discontent has grown in Montag, a fireman turned sour who cannot besides name the seduce of his conceit and disaffection. He characterizes his rest little mind as large of bits and pieces, and he requires sedatives to sleep. His hands, more attuned to his inner working than his conscious mind, look to take charge of his behavior. Daily, he returns to a loveless, meaning less marriage ceremony symbolized by his cold bedroom furnish with twin beds.
careworn to the lights and conversation of the McClellan family next door, he forces himself to await at home, yet he watches them through the French windows. finished his friendship with Clarisse McClellan, Montag perceives the harshness of confederation as opposed to the joys of re cord in which he seldom partakes. When Clar! isse teases him about not cosmos in love, he experiences an epiphany and sinks into discouragement that characterizes most of the novel. He suffers unrighteousness for hiding books behind the vestibule ventilator grille and for flunk to live... If you want to get a full essay, order it on our website:
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